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Motion Picture and Video Lighting explores the technical, aesthetic and practical aspects of lighting for film and video. Written by a professional in the field, this comprehensive book reveals inside information based on years of experience and thoroughly explores the challenges faced by cinematographers, lighting directors, gaffers and grips.
Through a hands on approach which is augmented by insightful diagrams, tables, charts and photographs, the author illustrates the power of light as one of the most important elements of filmmaking. Whether the reader is a professional, or student, a gaffer, grip or cameraman, this book will be a useful reference.
Blain Brown is a cinematographer and lighting director based in Los Angeles, California. He has lit and photographed a range of productions - from macro/table tops to boxing arenas, and from no-budget shoestring productions to large-scale features. Mr. Brown has also worked as a producer and line producer on commercials, music videos and feature films.
- Sales Rank: #1324715 in Books
- Published on: 1995-11-09
- Original language: English
- Number of items: 1
- Dimensions: .50" h x 6.94" w x 9.96" l,
- Binding: Paperback
- 226 pages
Review
"Written by a professional in the field, this comprehensive book reveals inside information based on years of experience and explores the challenges faced by cinematographers, lighting directors, gaffers and grips. Whether the reader is professional or a student, this book will be a useful
reference." - Lighting and Sound International
"...book has made the biggest impact on my career of all the resources I used to get where I am. And while I have
absorbed many, many books, tapes and met several of my heros who have helped me, I credit your book with giving me the confidence to "just do it" these last few years and reach this level. Furthermore, your book is the one book that I recommend to young, aspiring people who want to learn our craft..." - Dane Lawing, DP
From the Publisher
Through a hands on approach which is augmented by insightful diagrams, tables, charts and photographs, the author illustrates the power of light as one of the most important elements of filmmaking. Whether the reader is a professional, or student, a gaffer, grip or cameraman, this book will be a useful reference.
About the Author
Blain Brown was educated at C.W. Post College; M.I.T. and Harvard Graduate School of Design. He began in New York as a commercial still photographer before starting in the film business. After working as a gaffer, be became a cinematographer doing primarily commercials and music videos.After completing his first feature film, he moved to Los Angeles where he has been Director of Photography on 14 feature films as well as national commercials, promotional films, industrials, music videos and documentaries. He has worked in many states in the U.S. as well as Mexico, Canada, India, Italy, France, the Philippines and Jordan.His experience includes 35mm and 16mm projects, as well as 24P High Def, DigiBeta, BetaSP and DV. He has completed projects as a director, editor and screenwriter; with three screenplays produced. He has also taught courses in storytelling and visual communication. As a Director of Photography specializing in features and commercials, he is now based in Los Angeles.His books include A Sense of Place; Motion Picture and Video Lighting and The Filmmaker's Pocket Reference. His work can be seen at www.BlainBrown.com.
Most helpful customer reviews
55 of 55 people found the following review helpful.
A completely professional approach
By brian mclaren
The thing about this book is that it is written from a completely professional point of view. It deals with lighting as it is really practiced on professional movie sets - not like most books on cinematography which seem to be written by people who haven't actually done it all that much in the real world. I've bought about every book there is on movie lighting and most of them are a waste of money.
This book covers everything from a basic introduction to color, exposure and electricity up to the more complex technical issues you have to deal with as a gaffer or cinematographer: very thorough and comprehensive. The Set Technicians book is good if all you are trying to be is an electrician, but this is the one you want if you really want to move up as a gaffer, lighting director or Director of Photography. Except for one chapter (film exposure), everything in the book applies equally well to video, digital video or High Def. There is also a very good chapter on video which covers what you REALLY have to know to work in video lighting.
If you work (or want to work) in the motion picture industry, knowing lighting is the key to advancement and success. This is the book to get if you really want to learn motion picture and video lighting.
36 of 36 people found the following review helpful.
A good lighting manual for a beginning cameraperson.
By A Customer
Blaine Brown's book provides a decent explanation of set lighting, it's instruments and protocol. The text, though, seems to speak more to the cameraperson or AC who is curious about lighting. There is a lack of attention given to the juicers and hammers who are actually creating and shaping the light. There is a considerable amount of text granted to electrics and the distribution of power, but much more thorough and much more practically explained definitions are readily available in Harry Box's "Set Lighting Technician's Handbook."
1 of 1 people found the following review helpful.
A thick, but informative read.
By Jack B.
My ONE complaint with this book is that there's a bit too much technical jargon for my liking, but then again knowing that is part of the film business so I'd better get used to it. The book tells you about all the kinds of studio lights out there and what situations they are used in. This reads more like a text book to me than a casual read, but I don't mind because it's regarding a subject that I find fascinating and is in my opinion one of the most exciting industries in the world!
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