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David Barnett invites readers, students and theatremakers to discover new ways of apprehending and making use of Brecht in this clear and accessible study of Brecht's theories and practices. The book analyses how Brecht's ideas can come alive in rehearsal and performance, and reveals just how carefully Brecht realized his vision of a politicized, interventionist theatre.
What emerges is a nuanced understanding of Brecht's concepts, his work with actors and his approaches to directing. The reader is encouraged to engage with his method which sought to 'make theatre politically', in order to appreciate the innovations he introduced into his stagecraft. Barnett provides many examples of how Brecht's ideas can be staged, and the final chapter takes a closer look at two very different plays: one written by Brecht and one by a playwright with no acknowledged connection to Brecht. Through an interrogation of The Resistible Rise of Arturo Ui and Patrick Marber's Closer, Barnett asks how a Brechtian approach can enliven and illuminate production.
- Sales Rank: #1444822 in Books
- Published on: 2015-01-15
- Released on: 2015-01-15
- Original language: English
- Number of items: 1
- Dimensions: 8.52" h x .64" w x 5.47" l, .0 pounds
- Binding: Paperback
- 256 pages
Review
CHOICE Outstanding Academic Title 2015
“The theater of Bertolt Brecht (1898-1956) has long suffered lamentable neglect in the US and the UK ... Fortunately, Barnett champions Brecht's cause with clarity and authority in this slim volume, which this reviewer predicts will soon prove indispensable to any serious Anglophone student of Brecht. ... The author draws on profound knowledge of the material, including Brecht's drama, the crucial Messingkauf fragments, and the history of the Berliner Ensemble. At the heart of the book is the chapter 'Brecht and the Actor,' which elegantly dispatches the fallacy of a Brechtian 'style' and should be required reading in any acting class. Later chapters offer excellent illustrative readings of the application of Brecht's principles to both Brechtian and non-Brechtian drama. Barnett has delivered a vital corrective to the misapprehension of Brecht's theater. Summing Up: Essential. Lower-division undergraduates through faculty and professionals; general readers.” ―R. Remshardt, University of Florida, CHOICE
“Barnett has done meticulous research and presents a very engaging scholarly argument.” –Nathaniel Nesmith, American Theatre
About the Author
David Barnett is Reader in Drama, Theatre and Performance at the University of Sussex, UK. He has published books on German theatre (studies on Heiner Müller and Rainer Werner Fassbinder), and is preparing a history of the Berliner Ensemble, the first book of its kind in any language. He has also published several essays and articles on German, Englishlanguage, political and postdramatic theatre.
Most helpful customer reviews
1 of 1 people found the following review helpful.
Having now read David Barnett's excellent study several times
By Billdir
Having now read David Barnett's excellent study several times, I believe it offers the best explanation for Brecht's methods yet written in English. Barnett elegantly shows how Brecht's theatre practice was always tied to his theory of why theatrical art should be produced. Based on his extensive research in the Brecht Archive, Barnett offers detail after detail about Brecht's collaborative methods, all aimed at changing the audience's view of the world. This is a must read for anyone who wants a clear picture of Bertolt Brecht in practice.
--Bill Gelber, Associate Professor and Director of Theatre, Texas Tech University
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