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Getting Off Clean, by Timothy Murphy
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In Timothy Murphy's Getting Off Clean, the one thing that Eric Fitzpatrick wants is to escape--both from his family and the racially tense town in which he lives. The only son of an Italian-Irish family in a working class suburb of Boston, he intends to go away to college and leave his old life far behind. But all his plans are set askew when he meets Brooks, a mysterious, wealthy, black student at a local prep school. As their relationship grows ever deeper and more complicated, Eric must come to terms not only with his family and community, but with his warring ambitions and desires.
- Sales Rank: #1731164 in eBooks
- Published on: 2014-11-25
- Released on: 2014-11-25
- Format: Kindle eBook
Amazon.com Review
Gay male coming-out novels usually deal more with the personal than with the political, but Getting Off Clean encompasses both. Eric Fitzpatrick is a bright, high school senior in Mendham, a working-class town in Massachusetts. He is determined to fit in, be popular, and go to college. The only problem is that he is gay and just coming out--a problem complicated when he begins having an affair with Brooks Tremont, a black student who attends a prestigious prep school outside of town. When racial violence breaks out in Mendham, both Eric and Brooks have to make some serious choices. Getting Off Clean, deftly written and incredibly smart, challenges us to think in new ways about sexuality, class, race, and the accomplishments of gay fiction.
From Library Journal
Murphy's debut is an extraordinary tale of young, forbidden love worth reading for both its topical matter and its style. In the suburban town of West Mendhem, Massachusetts, gay, townie, over-achieving high school senior Eric Fitzpatrick lives with his pregnant, unmarried older sister; a Down Syndrome younger one; their excitable mother and placid father; and an Old World grandmother. He falls in love with rich, unstable, black Brooks Tremont, a rebellious student at the local private academy. As a local murder causes racial strife to erupt between West Mendhem and a neighboring Latino community, Eric is forced to confront the narrowness of his upbringing. This is an old story?readers will recognize everyone from Eric's two hippie friends to the Italian aunties?but in Murphy's hands it is brilliantly told, with economy of language and a sure hand. Murphy is more than a writer to watch, he is one to read now. Highly recommended.?Harold Augenbraum, Mercantile Lib., New York
Copyright 1997 Reed Business Information, Inc.
From Kirkus Reviews
A coming-of-age debut novel movingly limns young gay love in the racially charged setting of a Massachusetts small town. High-school senior Eric Fitzpatrick is bright, college-bound, and different from his working-class Irish-Italian family and peers. Not just intellectually but emotionally different--he's a notorious weeper, and also, as he's beginning to realize, gay. Just before the school year starts, he meets Brooks Francis Tremont, a rich, sophisticated, black student at snotty St. Banners, a nearby boarding school. The two young men, initially wary--class is as much a problem for them as race--are increasingly drawn to each other and soon sexually involved. As the relationship continues, Eric, a loving son and brother, must also cope with varying crises that involve his ailing grandmother, his Down's syndrome younger sister, and his older sister, now pregnant but unmarried. His relationship with Brooks is further tried by the racism that breaks out when a young girl is found murdered. The townspeople blame inner-city blacks and Puerto Ricans: A young Hispanic is beaten to death, riots break out, and Brooks inevitably gets caught up in it all. Never an entirely credible character, he drops out of school when the rich aunt who has been his guardian dies, and he makes plans to live in Paris. Despite his love for Brooks, Eric is still the straight arrow, the local hero with a Yale scholarship, who doesn't want his family to know about his sexuality and who won't run off to Paris. A melodramatic incident at graduation, however, forces him to ``come out'' at last, hurting his family but providing a requisite (if flat) conclusion. Despite a few schematic blips, a new voice that is both strong and true. -- Copyright ©1997, Kirkus Associates, LP. All rights reserved.
Most helpful customer reviews
5 of 5 people found the following review helpful.
If you liked GETTING OFF CLEAN, check out THE BREEDERS BOX
By Timothy Murphy
Just a note: GETTING OFF CLEAN author Tim Murphy has another novel called THE BREEDERS BOX, thus far only published in the U.K., but you can get it at amazon.co.uk (or just hit the UK site link at the bottom of this page). The setting changes from a small Massachusetts town to glamorous downtown New York City at the end of the decadent 1980s, but the same great characters, fast pace and bighearted sarcasm are there...but the lovably foul-mouthed older sister in GETTING OFF CLEAN has been supplanted by an even more memorable one who's kind of like a cross between Holly Golightly and Parker Posey in PARTY GIRL...this is another Murphy page-turner with a mindblowing finale!
4 of 4 people found the following review helpful.
A great novel about escapism and discrimination
By J. A. Elkink
A very well written book about the experiences of a highschool student living in a small town in the north of the US, where racial tensions are strong and where it is a rough environment to come out of the closet. Eric, the main character, lives in a very closed-minded family, with its own internal problems, and feels stuck. The only thing he really wants is to get out. The whole novel seems to be about this general idea: escapism. How to get out of this closed-minded town, with its hypocratic political attitudes - e.g. the assembly of people in the church after a rising of racial tendencies - and its strong conventional morals. The character Eric falls in love with, Brooks, an upper class black highschool student, is doing that all his life: escaping ... getting dropped out of school every time. And his family is not much different, with his father moving away from him and his mother to the warm south and his mother leaving him to go to Europe and get out of America. The whole affair between Eric and Brooks seems to be on the edge of loosing themselves in their romance and longing to escape. Eric, who is deeply 'grounded' in his family and environment can handle more easily then Brooks, who is alone on the world, and too smart not to take his ideas in its full consequences, and who almost loses it. I really loved reading this book and I was very touched. Probably because 'escapism' is a feeling I can too well understand. The book is much more about that - the breathless space of the own environment and the dreams of getting away - then it is purely about homosexuality or coming out. The end was a slight disappointment to me, since it ends too 'glorious', as seems to be typical at least for American movies. A must to read for anyone who wants to read about the other side of American moral values ...
3 of 3 people found the following review helpful.
A superb page-turner, a promising new voice
By A Customer
Getting Off Clean, a well-paced, compulsively readable debut novel, marks the emergence of Timothy Murphy as a distinctly original voice. Opening in West Mendhem, Mass. during the mid-'80s, the story centers around the relationship between Eric Fitzpatrick (an overachieving high-school senior desperate to escape the suffocation and provincialism of familial burdens and small-town life) and Brooks Jefferson Tremont (a scabrously witty prep-school student reeling from the aftermath of death and emotional abandonment.) They couldn't be more mismatched: Eric is white, a closet case, maddeningly apologetic, at once disdainful of his family and his classmates and in need of their praise and support. Brooks is black, lacking any true sense of family, sophisticated in the manners and culture of the upper class and yet disenfranchised in a school and a society that regards him with suspicion.
The resulting narrative spins wildly through the months they share an illicit affair against the backdrop of murder, xenophobia, white flight, and guilty-liberal gladhanding. At times, such as when Eric is relating a dream bacchanalia near the end of the story, Murphy delivers lush, lyrical prose that exposes truth at the tattered edges of his protagonist's weary psyche. And the scene where Eric instinctively turns away from a poster of a muscle man will have any gay man who was ever in the closet smiling in recognition.
That said, the novel does have several marked flaws. The dialogue is often forced and thus incapable of revealing internal truths about the characters (this is especially true of the supporting characters who lack either the story time or the from-the-viewpoint-of narration Eric gets.) And the third act of the book is marred by tidy resolutions of two key subplots. But Getting Off Clean's most damning flaw is in the author's inability to raise Brooks above a type. It is commendable of the author to deal with race and how it colors people's responses to crime; the scene in the church is a brilliant satire of liberal arrogance. But in the larger context of the story his insights are not original and his treatment of Brooks is insulting. The author also misses a golden oppurtunity to explore racism within the gay community, a rampant and largely-ignored community ill.
In the end, what is on the page is a singular and heart-wrenching account of two boys attempting to come to terms with their sexuality, their lives and their future that will keep you unable to close the book and hoping against hope that, somehow, these two will make it out together when nearly everything suggests they won't.
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